Seiji Ozawa - A Life For Music download free
| Genre: | Classical |
| Performer: | Seiji Ozawa |
| Title: | A Life For Music |
| Date of release: | 2014 |
| MP3 album size: | 1342 mb |
| FLAC APE album size: | 1288 mb |
| WMA album size: | 1299 mb |
| Digital formats: | WAV DMF MP4 APE XM AA AAC |
Tracklist Hide Credits
| Johann Sebastian Bach (1685-1750) - Mass In B Minor, BWV 232 | ||
| Kyrie | ||
| 1-1 | No. 1 Chorus: Kyrie Eleison | 9:31 |
| 1-2 | No. 2 Duet: Christe Eleison (Sopranos I & II) | 5:07 |
| 1-3 | No. 3 Chorus: Kyrie Eleison | 3:12 |
| Gloria | ||
| 1-4 | No. 4 Chorus: Gloria In Excelsis Deo | 1:43 |
| 1-5 | No. 4 Chorus: Et In Terra Pax | 4:15 |
| 1-6 | No. 5 Aria: Laudamus Te (Soprano II (Violin Obbligato)) | 4:11 |
| 1-7 | No. 6 Chorus: Gratias Agimus Tibi | 2:46 |
| 1-8 | No. 7 Duet: Domine Deus (Soprano I, Tenor (Flute Obbligato)) | 5:19 |
| 1-9 | No. 8 Chorus: Qui Tollis Peccata Mundi | 3:26 |
| 1-10 | No. 9 Aria: Qui Sedes Ad Dexteram Patris (Contralto (Oboe D'Amore Obbligato)) | 4:31 |
| 1-11 | No. 10 Aria: Quoniam Tu Solus Sanctus | 4:05 |
| 1-12 | No. 11 Chorus: Cum Sancto Spiritu | 3:51 |
| Credo (Symbolum Nicenum) | ||
| 2-1 | No. 12 Chorus: Credo In Unum Deum | 2:00 |
| 2-2 | No. 13 Chorus: Patrem Omnipotentum | 1:50 |
| 2-3 | No. 14 Duet: Et In Unum Dominum (Soprano I, Contralto) | 4:06 |
| 2-4 | No. 15 Chorus: Et Incarnatus Est | 3:17 |
| 2-5 | No. 16 Chorus: Crucifixus | 2:52 |
| 2-6 | No. 17 Chorus: Et Resurrexit | 3:49 |
| 2-7 | No. 18 Aria: Et In Spiritum Sanctum (Bass) | 4:40 |
| 2-8 | No. 19 Chorus: Confiteor Unum Baptisma | 3:56 |
| 2-9 | No. 20 Chorus: Et Expecto Resurrectionem | 2:03 |
| Sanctus | ||
| 2-10 | No. 21 Chorus: Sanctus | 5:05 |
| 2-11 | No. 22 Chorus: Osanna | 2:35 |
| 2-12 | No. 23 Aria: Benedictus (Tenor (Violin Obbligato)) | 3:55 |
| 2-13 | No. 23 Aria: Osanna Da Capo | 2:29 |
| Agnus Dei | ||
| 2-14 | No. 24 Aria: Agnus Dei (Contralto) | 4:48 |
| 2-15 | No. 25 Chorus: Dona Nobis Pacem | 3:04 |
| - | ||
| Ludwig Van Beethoven (1770-1827) | ||
| Symphony No. 7 In A, Op. 92 | ||
| 3-1 | 1. Poco Sostenuto - Vivace | 14:10 |
| 3-2 | 2. Allegretto | 8:39 |
| 3-3 | 3. Presto - Assai Meno Presto | 9:40 |
| 3-4 | 4. Allegro Con Brio | 8:57 |
| - | ||
| Franz Schubert (1797-1828) | ||
| Symphony No. 8 In B Minor, D. 759 - Unfinished | ||
| 3-5 | 1. Allegro Moderato | 14:54 |
| 3-6 | 2. Andante Con Moto | 11:18 |
| - | ||
| Alban Berg (1885-1935) | ||
| Violin Concerto - To The Memory Of An Angel | ||
| 4-1 | 1. Andante - Allegretto | 10:52 |
| 4-2 | 2. Allegro - Adagio - (Coda) | 14:44 |
| - | ||
| Igor Stravinsky (1882-1971) | ||
| Violin Concerto | ||
| 4-3 | 1. Toccata | 5:41 |
| 4-4 | 2. Aria I | 4:13 |
| 4-5 | 3. Aria II | 5:36 |
| 4-6 | 4. Capriccio | 5:53 |
| - | ||
| Hector Berlioz (1803-1869) | ||
| La Damnation De Faust, Op. 24 | ||
| 5-1 | Première Partie: Scène 1 - Introduction - "Le Vieil Hiver A Fait Place Au Printemps" | 5:34 |
| 5-2 | Première Partie: Scène 2 - Ronde Des Paysans - "Les Bergers Quittent Leurs Troupeaux" | 4:11 |
| 5-3 | Première Partie: Scène 3 - "Mais D'un Éclat Guerrier Les Campagnes Se Parent" - Marche Hongroise | 4:27 |
| 5-4 | Deuxième Partie: Scène 4 - "Sans Regrets J'ai Quitté Les Riantes Campagnes" | 4:03 |
| 5-5 | Scène 4 - Chant De La Fête De Pâques - "Christ Vient De Ressusciter!" | 6:29 |
| 5-6 | Scène 5 - "Ô Pure Émotion! Enfant Du Saint Parvis!" | 2:14 |
| 5-7 | Scène 6 - "À Boire Encor! Du Vin" | 2:46 |
| 5-8 | Scène 6 - Chanson De Brander: "Certain Rat, Dans Une Cuisine" | 2:14 |
| 5-9 | Scène 6 - Fugue Sur Le Thème De La Chanson De Brander: "Amen" | 2:59 |
| 5-10 | Scène 6 - Chanson De Méphistophélès: "Une Puce Gentille" | 3:41 |
| 5-11 | Scène 7 - Air De Méphistophélès: "Voici Des Roses" | 2:38 |
| 5-12 | Scène 7 - Chœur De Gnomes Et De Sylphes (Songe De Faust): "Dors! Heureux Faust" | 6:06 |
| 5-13 | Scène 7 - Ballet Des Sylphes: "Margarita!" | 3:22 |
| 5-14 | Scène 8. Finale - Chœur De Soldats: "Villes Entourées" / Chanson D'Étudiants: "Jam Nox Stellata Velamina Pandit" | 4:33 |
| 6-1 | Troisième Partie: Tambours Et Trompettes Sonant La Retraite | 1:09 |
| 6-2 | Scène 9 - Air De Faust: "Merci, Doux Crépuscule!" / Scène 10 - "Je L'entends!" | 5:31 |
| 6-3 | Scène 11 - "Que L'air Est Étouffant!" | 2:57 |
| 6-4 | Scène 11 - Le Roi De Thulé: "Autrefois Un Roi De Thulé" | 4:27 |
| 6-5 | Scène 12 - Évocation: "Espirit Des Flammes Inconstantes" | 1:50 |
| 6-6 | Scène 12 - Menuet Des Feux Follets: "Maintenant, Chantons À Cette Belle..." | 6:05 |
| 6-7 | Scène 12 - Sérénade De Méphistophélès Et Chœur De Feux Follets: "Devant La Maison" | 2:19 |
| 6-8 | Scène 13 - Duo: "Grand Dieu!" | 5:10 |
| 6-9 | Scène 14 - Trio Et Chœur: "Allons, Il Est Trop Tard!" | 5:01 |
| 6-10 | Quatresième Partie: Scène 15 - Romance: "D'amour L'ardente Flamme" | 8:36 |
| 6-11 | Scène 15 - Romance: "Au Son Des Trompettes" | 2:13 |
| 6-12 | Scène 16 - Invocation À La Nature: "Nature Immense, Impénétrable Et Fière" | 4:02 |
| 6-13 | Scène 17 - Récitatif Et Chasse: "À La Voûte Azurée" | 3:33 |
| 6-14 | Scène 18 - La Course À L'Abîme: "Dans Mon Cœur Retentit Sa Voix" | 3:31 |
| 6-15 | Scène 19 - Pandaemonium: "Has! Irimirukarabrao! Has!" / Épilogue Sur La Terre: "Alors, L'Enfer Se Tut" | 4:59 |
| 6-16 | Scène 20 - Dans Le Ciel: "Laus! Hosanna!" / Apothéose De Marguerite: "Remonte Au Ciel, Âme Naïve" | 4:50 |
| - | ||
| Johannes Brahms (1833-1897) | ||
| Symphony No. 4 In E Minor, Op. 98 | ||
| 7-1 | 1. Allegro Non Troppo | 12:03 |
| 7-2 | 2. Andante Moderato | 11:05 |
| 7-3 | 3. Allegro Giocoso - Poco Meno Presto - Tempo I | 6:18 |
| 7-4 | 4. Allegro Energico E Passionato - Più Allegro | 9:45 |
| 7-5 | Hungarian Dance No. 5 In G MinorArranged By – Albert Parlow |
2:40 |
| 7-6 | Hungarian Dance No. 6 In DArranged By – Albert Parlow |
3:25 |
| - | ||
| Antonín Dvořák (1841-1904) | ||
| Symphony No. 8 In G, Op. 88 | ||
| 8-1 | 1. Allegro Con Brio | 10:04 |
| 8-2 | 2. Adagio | 10:30 |
| 8-3 | 3. Allegretto Grazioso | 5:50 |
| 8-4 | 4. Allegro Ma Non Troppo | 10:00 |
| 8-5 | The Noon Witch, Op. 108 | 12:56 |
| - | ||
| César Franck (1822-1890) | ||
| Symphony In D Minor | ||
| 9-1 | 1. Lento - Allegro Non Troppo | 17:23 |
| 9-2 | 2. Allegretto | 9:45 |
| 9-3 | 3. Allegro Non Troppo | 10:03 |
| - | ||
| Francis Poulenc (1899-1963) | ||
| Concerto In G Minor For Organ, Strings And Timpani | ||
| 9-4 | 1. Andante - Allegro Giocoso - | 5:23 |
| 9-5 | 2. Subito Andante Moderato - | 7:07 |
| 9-6 | 3. Tempo Allegro, Molto Agitato - Très Calme. / Lent - Tempo De L'Allegro Initial - Tempo Introduction: Largo | 9:54 |
| - | ||
| George Gershwin (1898-1937) | ||
| 10-1 | An American In Paris | 17:58 |
| - | ||
| Leonard Bernstein (1918-1990) | ||
| Symphonic Dances From "West Side Story" (Symphonic Dances) | ||
| 10-2 | Prologue (Allegro Moderato) | 4:12 |
| 10-3 | "Somewhere" (Adagio) | 3:44 |
| 10-4 | Scherzo (Vivace Leggiero) | 1:29 |
| 10-5 | Mambo (Presto) | 2:26 |
| 10-6 | Cha-cha (Andante Con Grazia) | 0:58 |
| 10-7 | Meeting Scene (Meno Mosso) | 0:41 |
| 10-8 | "Cool", Fugue (Allegretto) | 3:30 |
| 10-9 | Rumble (Molto Allegro) | 1:55 |
| 10-10 | Finale (Adagio) | 2:50 |
| - | ||
| William Russo (1928-2003) | ||
| Street Music: A Blues Concerto | ||
| 10-11 | I. | 8:07 |
| 10-12 | II. | 5:13 |
| 10-13 | III. | 8:47 |
| 10-14 | IV. | 8:43 |
| - | ||
| Felix Mendelssohn Bartholdy (1809-1847) | ||
| A Midsummer Night's Dream: Op. 21 And Op. 61 | ||
| 11-1 | Overture, Op. 21: Allegro Di Molto | 11:55 |
| 11-2 | No. 1 Scherzo: Allegro Vivace - How Now, Spirit! Whither Wander You? | 4:47 |
| 11-3 | No. 2: L'istesso Tempo - Over Hill, Over Dale | 1:52 |
| 11-4 | March Of The Fairies: Allegro Vivace - I Know A Bank Where The Wild Thyme Blows | 1:37 |
| 11-5 | No. 3 Song With Chorus: Allegro Ma Non Troppo - Come, Now A Roundel And A Fairy Song / You Spotted Snakes With Double Tongue | 4:44 |
| 11-6 | No. 4: Andante - Allegro Molto - What Thou See'st When Thou Dost Wake | 0:41 |
| 11-7 | No. 4: Andante - Allegro Molto - Help Me, Lysander, Help Me! | 4:08 |
| 11-8 | No. 5 (Intermezzo): Allegro Apassionata - On The Ground Sleep Sound | 6:21 |
| 11-9 | No. 7 (Nocturne): Con Moto Tranquillo - Her Dotage Now I Do Begin To Pity / No. 8: Andante - Be As Thou Wast Wont To Be | 2:32 |
| 11-10 | No. 9 Wedding March: Allegro Vivace | 5:07 |
| 11-11 | No. 9 Wedding March: Allegro Vivace - Gentles, Perchance You Wonder At This Show / No. 10: Allegro Comodo - Anon Comes Pyramus | 0:47 |
| 11-12 | Marcia Funebre: Andante Comodo | 1:34 |
| 11-13 | Marcia Funebre: Andante Comodo - Will It Please You To See The Epilogue / No. 11 A Dance Of Clowns (Danza Dei Villici): Allegro Di Molto - The Iron Tongue Of Midnight Hath Told Twelve | 2:05 |
| 11-14 | No. 12: Allegro Vivace Come I - How The Hungry Lion Roars | 1:40 |
| 11-15 | No. 13: Finale: Allegro Di Molto - Through The House Give Glimmering Light / Through This House Gave Glimmering Light | 5:48 |
| - | ||
| Francis Poulenc (1899-1963) | ||
| Gloria (For Soprano, Mixed Chorus And Orchestra) | ||
| 12-1 | I Gloria. Maestoso | 2:23 |
| 12-2 | II Laudamus Te: Très Vite Et Joyeux | 2:48 |
| 12-3 | III Domine Deus (Soprano). Très Lent Et Calme | 4:35 |
| 12-4 | IV Domine Fili Unigenite. Très Vite Et Joyeux | 1:20 |
| 12-5 | V Domine Deus, Agnus Dei (Soprano). Bien Lent | 5:53 |
| 12-6 | VI Qui Sedes Ad Dexteram Patris (Soprano). Maestoso, Allegretto | 6:11 |
| Stabat Mater (For Soprano, Mixed Chorus And Orchestra) | ||
| 12-7 | I Stabat Mater Dolorosa. Très Calme | 3:54 |
| 12-8 | II Cujus Animam Gementem. Allegro Molto (Très Violent) | 0:55 |
| 12-9 | III O Quam Tristis. Très Lent | 2:17 |
| 12-10 | IV Quae Maerebat. Andantino | 1:18 |
| 12-11 | V Quis Est Homo. Allegro Molto | 1:15 |
| 12-12 | VI Vidit Suum (Soprano). Andante | 3:29 |
| 12-13 | VII Eja, Mater. Allegro | 1:02 |
| 12-14 | VIII Fac, Ut Ardeat. Maestoso | 2:02 |
| 12-15 | IX Sancta Mater. Moderato | 2:58 |
| 12-16 | X Fac, Ut Portem (Soprano). Tempo De Sarabande | 3:38 |
| 12-17 | XI Inflammatus Et Accensus. Animé Et Très Rythmé | 1:46 |
| 12-18 | XII Quando Corpus (Soprano). Très Calme | 3:44 |
| - | ||
| Serge Prokofiev (1891-1953) | ||
| Symphony No. 5 In B Flat Major, Op. 100 | ||
| 13-1 | 1. Andante | 11:51 |
| 13-2 | 2. Allegro Marcato | 8:50 |
| 13-3 | 3. Adagio | 11:13 |
| 13-4 | 4. Allegro Giocoso | 9:49 |
| Lieutenant Kijé - Symphonic Suite, Op. 60 | ||
| 13-5 | 1. Kijé's Birth (La Nascita Di Kijé) | 4:08 |
| 13-6 | 2. Romance | 3:49 |
| 13-7 | 3. Kijé's Wedding (Le Nozze Di Kijé) | 2:44 |
| 13-8 | 4. Troika | 3:00 |
| 13-9 | 5. Kijé's Burial (La Sepoltura Di Kijé) | 6:05 |
| Piano Concerto No. 2 In G Minor, Op. 16 | ||
| 14-1 | 1. Andantino | 11:12 |
| 14-2 | 2. Scherzo (Vivace) | 2:17 |
| 14-3 | 3. Intermezzo (Allegro Moderato) | 5:41 |
| 14-4 | 4. Finale (Allegro Tempestoso) | 11:03 |
| - | ||
| Maurice Ravel (1875-1937) | ||
| Piano Concerto In G Major | ||
| 14-5 | 1. Allegramente | 8:16 |
| 14-6 | 2. Adagio Assai | 8:42 |
| 14-7 | 3. Presto | 3:53 |
| - | ||
| Arnold Schoenberg (1874-1951) | ||
| Gurrelieder (For Soloists, Chorus And Orchestra) - Part One: | ||
| 15-1 | Orchestral Prelude | 6:58 |
| 15-2 | Nun Dämpft Die Dämm'rung | 3:27 |
| 15-3 | O, Wenn Des Mondes Strahlen | 3:15 |
| 15-4 | Roß! Mein Roß! | 3:12 |
| 15-5 | Sterne Jubeln | 2:20 |
| 15-6 | So Tanzen Die Engel Vor Gottes Thron Nicht | 2:01 |
| 15-7 | Nun Sag Ich Dir Zum Ersten Mal | 3:44 |
| 15-8 | Es Ist Metternachtszeit | 5:02 |
| 15-9 | Du Sendest Mir Einen Liebesblick | 5:10 |
| 15-10 | Du Wunderliche Tove! / Orchestral Interlude | 8:59 |
| 15-11 | Tauben Von Gurre! | 12:05 |
| Gurrelieder - Part Two: | ||
| 16-1 | Herrgot, Weißt Du, Was Du Tatest | 4:09 |
| Part Three: Die Wilde Jagd | ||
| 16-2 | Erwacht, König Waldermars Mannen Wert! | 2:49 |
| 16-3 | Deckel Des Sarges Klappert | 3:43 |
| 16-4 | Gegrüßt, O König | 5:00 |
| 16-5 | Mit Toves Stimme Flüstert Der Wald | 3:23 |
| 16-6 | "Ein Seltsamer Vogel Ist So'n Aal" | 6:08 |
| 16-7 | Du Strenger Richter Droben | 2:13 |
| 16-8 | Der Hahn Erhebt Den Kopf Zur Kraht | 5:57 |
| Des Sommerwindes Wilde Jagd (The Wild Hunt Of The Summer Wind) | ||
| 16-9 | Orchestral Prelude | 2:59 |
| 16-10 | Herr Gänsefuß, Frau Gänsekraut | 5:12 |
| 16-11 | Seht Die Sonne | 4:42 |
| Verklärte Nacht, Op. 4 (Transfigured Night - Rev.: 1943, Version For String Orchestra) | ||
| 17-1 | Grave | 6:49 |
| 17-2 | Molto Rallentando | 6:06 |
| 17-3 | Pesante - Grave | 2:14 |
| 17-4 | Adagio | 10:10 |
| 17-5 | Adagio | 4:36 |
| - | ||
| Richard Strauss (1864-1949) | ||
| Cappricio | ||
| 17-6 | Einleitung | 6:30 |
| - | ||
| Igor Stravinsky (1882-1971) | ||
| Apollon Musagète (Ballet In Two Scenes - 1947 Version) | ||
| 17-7 | 1st Scene (Prologue): Birth Of Apollo | 4:10 |
| 17-8 | 2nd Scene: Variation Of Apollo (Apollo And The Muses) | 2:49 |
| 17-9 | Pas D'action (Apollo And The Three Muses: Calliope, Polyhymnia And Terpsichore) | 3:55 |
| 17-10 | Variation Of Calliope (The Alexandrine) | 1:30 |
| 17-11 | Variation Of Polyhymnia | 1:13 |
| 17-12 | Variation Of Terpsichore | 1:29 |
| 17-13 | Variation Of Apollo | 2:09 |
| 17-14 | Pas De Deux (Apollo And Terpsichore) | 3:26 |
| 17-15 | Coda (Apollo And The Muses) | 3:22 |
| 17-16 | Apotheosis | 3:09 |
| - | ||
| Dmitri Shostakovich (1906-1975) | ||
| Concerto For Cello And Orchestra No. 2, Op. 126 | ||
| 18-1 | 1. Largo | 13:55 |
| 18-2 | 2. Allegretto | 4:20 |
| 18-3 | 3. Allegretto | 14:54 |
| Concerto For Violin And Orchestra No. 2, Op. 129 | ||
| 19-1 | 1. Moderato | 13:55 |
| 19-2 | 2. Adagio | 9:34 |
| 19-3 | 3. Adagio - Allegro | 8:20 |
| - | ||
| Robert Schumann (1810-1856) - (Orch. Dmitri Shostakovich As Op. 125) | ||
| Concerto For Violin And Orchestra In A Minor (= Schumann, Cello Concerto, Op. 129) | ||
| 19-4 | 1. Nicht Zu Schnell | 10:44 |
| 19-5 | 2. Langsam | 4:20 |
| 19-6 | 3. Sehr Lebhaft | 7:26 |
| - | ||
| Franz Schubert (1797-1828) | ||
| Symphony No. 9 In C, D. 944 "Great" | ||
| 20-1 | 1. Andante - Allegro Ma Non Troppo | 13:05 |
| 20-2 | 2. Andante Con Moto | 13:08 |
| 20-3 | 3. Scherzo. Allegro Vivace | 13:56 |
| 20-4 | 4. Allegro Vivace | 15:52 |
| - | ||
| Richard Strauss (1864-1949) | ||
| 21-1 | Wiener-Philharmoniker-Fanfare Für Blechblasinstrumente Und Pauken, O.Op. 109 - Fanfare For The Vienna Philharmonic | 2:23 |
| Eine Alpensinfonie, Op. 64 (An Alpine Symphony) | ||
| 21-2 | Nacht (Night) | 3:18 |
| 21-3 | Sonnenaufgang (Sunrise) | 1:38 |
| 21-4 | Der Anstieg (The Ascent) | 2:17 |
| 21-5 | Eintritt In Den Wald (Entry Into The Wood) | 4:50 |
| 21-6 | Wanderung Neben Dem Bache (Wandering By The Brook) | 0:43 |
| 21-7 | Am Wasserfall (At The Waterfall) | 0:15 |
| 21-8 | Erscheinung (Apparition) | 0:46 |
| 21-9 | Auf Blumigen Wiesen (On The Flowering Meadows) | 0:55 |
| 21-10 | Auf Der Alm (On Alpine Pasture) | 2:05 |
| 21-11 | Durch Dickicht Und Gestrüpp Auf Irrwegen (Lost In Thicket And Undergrowth) | 1:26 |
| 21-12 | Auf Dem Gletscher (On The Glacier) | 1:02 |
| 21-13 | Gefahrvolle Augenblicke (Dangerous Moments) | 1:24 |
| 21-14 | Auf Dem Gipfel (On The Summit) | 4:49 |
| 21-15 | Vision | 3:29 |
| 21-16 | Nebel Steigen Auf (Mists Rise) | 0:20 |
| 21-17 | Die Sonne Verdüstert Sich Allmählich (The Sun Is Gradually Obscured) | 0:54 |
| 21-18 | Elegie (Elegy) | 2:20 |
| 21-19 | Stille Vor Dem Sturm (Calm Before The Storm) | 2:51 |
| 21-20 | Gewitter Und Sturm, Abstieg (Thunder And Tempest) | 3:50 |
| 21-21 | Sonnenuntergang (Sunset) | 2:48 |
| 21-22 | Ausklang (Fading Tones) | 5:58 |
| 21-23 | Nacht (Night) | 2:19 |
| 21-24 | Feierlicher Einzug Der Ritter Des Johanniterordens (Investitutmarsch) Für Blechbläser Und Pauken, O.Op. 103 - Solemn Entry Of The Knights Of St John | 6:08 |
| - | ||
| Toru Takemitsu (1930-1996) | ||
| 22-1 | November Steps (For Orchestra With Shakuhachi And Biwa) | 18:56 |
| 22-2 | Eclipse (For Shakuhachi And Biwa) | 10:46 |
| 22-3 | Viola Concerto - A String Around Autumn | 16:04 |
| - | ||
| Pyotr Ilyich Tchaikovsky (1840-1893) | ||
| Violin Concerto In D Major, Op. 35 | ||
| 23-1 | I Allegro Moderato | 18:14 |
| 23-2 | II Canzonetta: Andante - | 6:03 |
| 23-3 | III Finale: Allegro Vivacissimo | 9:42 |
| - | ||
| Jean Sibelius (1865-1957) | ||
| Violin Concerto In D Minor, Op. 47 | ||
| 23-4 | I Allegro Moderato | 16:19 |
| 23-5 | II Adagio Di Molto | 8:10 |
| 23-6 | III Allegro, Ma Non Tanto | 7:54 |
Companies, etc.
- Manufactured By – EDC, Germany – 53522466
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- Phonographic Copyright (p) – Universal Music Italia s.r.l.
- Copyright (c) – Universal Music Italia s.r.l.
Credits
- A&R [Artists & Repertoire Production] – Anthony Freud (tracks: 3-1 to 3-6), Costa Pilavachi (tracks: 8-1 to 8-5, 20-1 to 20-4, 21-1 to 21-24), Hermine Sterringa (tracks: 21-1 to 21-24), Louwrens Langevoort (tracks: 7-1 to 7-6, 22-1 ), Wilhelm Hellweg (tracks: 17-1 to 17-16), Wouter Hoekstra (tracks: 22-2, 22-3)
- Arranged By [Violin Part] – Schumann* (tracks: 19-4 to 19-6)
- Artwork – Punto E Virgola
- Baritone Vocals – Andreas Schmidt (tracks: 13-6, 13-8)
- Baritone Vocals [Bauer (Peasant)] – David Arnold (tracks: 15-1 to 16-11)
- Baritone Vocals [Méphistophélès] – Donald McIntyre (tracks: 5-1 to 6-16)
- Bass Vocals – Alastair Miles (tracks: 1-1 to 2-15)
- Bass Vocals [Brander] – Thomas Paul (tracks: 5-1 to 6-16)
- Bassoon – Akio Koyama (tracks: 1-1 to 2-15)
- Biwa – Kinshi Tsuruta (tracks: 22-1 to 22-23)
- Cello – Sumiko Kurata (tracks: 17-6), Tsuyoshi Tsutsumi (tracks: 17-6)
- Cello [Continuo] – Sadao Harada (tracks: 1-1 to 2-15)
- Choir – Boston Boys' Choir* (tracks: 5-1 to 6-16), Tanglewood Festival Chorus (tracks: 5-1 to 6-16, 11-1 to 11-15, 12-1 to 12-18, 15-1 to 16-11), Tokyo Opera Singers (tracks: 1-1 to 2-15)
- Chorus Master – John Oliver (tracks: 5-1 to 6-16, 12-1 to 12-18, 15-1 to 16-11), Theodore Marier (tracks: 5-1 to 6-16)
- Composed By – Alban Berg (tracks: 4-1, 4-2), Antonín Dvořák (tracks: 8-1 to 8-5), Arnold Schoenberg (tracks: 15-1 to 17-5), William Russo* (tracks: 10-11 to 10-14), César Franck (tracks: 9-1 to 9-3), Dmitri Shostakovich (tracks: 19-1 to 19-3), Felix Mendelssohn Bartholdy* (tracks: 11-1 to 11-15), Francis Poulenc (tracks: 9-4 to 9-6, 12-1 to 12-18), Franz Schubert (tracks: 3-5, 3-6, 20-1 to 20-4), George Gershwin (tracks: 10-1), Hector Berlioz (tracks: 5-1 to 6-16), Igor Stravinsky (tracks: 17-7 to 17-16), Igor Stravinsky (tracks: 4-3 to 4-6), Jean Sibelius (tracks: 23-4 to 23-6), Johann Sebastian Bach (tracks: 1-1 to 2-15), Johannes Brahms (tracks: 7-1 to 7-6), Leonard Bernstein (tracks: 10-2 to 10-10), Ludwig van Beethoven (tracks: 3-1 to 3-4), Maurice Ravel (tracks: 14-5 to 14-7), Pyotr Ilyich Tchaikovsky (tracks: 23-1 to 23-3), Richard Strauss (tracks: 17-6, 21-1 to 21-24), Robert Schumann (tracks: 19-4 to 19-6), Sergei Prokofiev (tracks: 13-1 to 13-9, 14-1 to 14-4), Toru Takemitsu (tracks: 22-1 to 22-23)
- Conductor – Seiji Ozawa
- Directed By [Choral Director] – Peter Dijkstra (tracks: 1-1 to 2-15)
- Double Bass [Continuo] – Akira Akahoshi (tracks: 1-1 to 2-15)
- Edited By [Editing] – Christopher Alder (tracks: 14-1 to 14-7), Ingmar Haas (tracks: 19-1 to 19-6), Oliver Rogalla (tracks: 12-1 to 12-18), Reinhild Schmidt (tracks: 4-3, to 4-6)
- Edited By [Tape Editing] – Gosia Jankowska (tracks: 22-1 to 22-3), Joram Pinxteren (tracks: 21-1 to 21-24), Kees de Visser (tracks: 22-1 to 22-3), Rico Yntema (tracks: 21-1 to 21-24)
- Edited By [Tape Editor] – Everett Porter (tracks: 17-1 to 17-16, 20-1 to 20-4), Jan Wesselink (tracks: 7-1 to 7-6), Jean van Vugt (tracks: 3-1 to 3-6), Manabu Ohkoshi (tracks: 1-1 to 2-15), Raymond Rafael (tracks: 7-1 to 7-6)
- Engineer [Assistant] – Bastian Schick (tracks: 14-1 to 14-7), Wolf-Dieter Karwatky (tracks: 14-1 to 14-7)
- Engineer [Balance] – Hans-Peter Schweigmann (tracks: 9-1 to 9-6, 11-1 to 11-15, 12-1 to 12-18, 13-1 to 13-9, 18-1 to 18-3, 19-1 to 19-6), Jack Hunt (tracks: 10-2 to 10-10), Karl-August Naegler (tracks: 10-1, 10-11 to 10-14), Klaus Hiemann (tracks: 5-1 to 6-16), Masamichi Ohashi (tracks: 1-1 to 2-15), Onno Scholtze (tracks: 3-1 to 3-6, 8-1 to 8-5, 17-16, 20-1 to 21-24), Wilhelm Hellweg (tracks: 7-1 to 7-6, 22-1 to 22-3)
- Engineer [Recording] – Andrew Wedman (tracks: 9-1 to 9-6), Cees Heijkoop (tracks: 21-1 to 21-24), Everett Porter (tracks: 20-1 to 20-4), Hans-Peter Schweigmann (tracks: 4-3, to 4-6), Jan Wesselink (tracks: 8-1 to 8-5), Jobst Eberhardt (tracks: 9-1 to 9-6, 19-1 to 19-6), Jürgen Bulgrin (tracks: 13-3, 13-5 to 13-9), Kiyoshi Fukiwa (tracks: 20-1 to 20-4), Klaus Behrens (tracks: 11-1 to 11-15, 13-1, 13-2, 13-4), Klaus Hiemann (tracks: 4-1, 4-2, 14-1 to 14-7), Pieter Boer (tracks: 8-1 to 8-5, 21-1 to 21-24), Reinhard Lagemann (tracks: 19-1 to 19-6), Roger de Schot (tracks: 3-1 to 3-6, 17-1 to 17-16), Suenori Fukui (tracks: 3-1 to 3-6, 17-1 to 17-16, 20-1 to 20-4), Tony Faulkner (tracks: 7-1 to 7-6, 22-1 to 22-3), Willem van Leeuwen (tracks: 21-1 to 21-24), Wolf-Dieter Karwatky (tracks: 13-3, 13-5 to 13-9), Youichi Umezawa (tracks: 1-1 to 2-15), Yuji Hirano (tracks: 1-1 to 2-15)
- Executive-Producer – Alison Ames* (tracks: 9-1 to 9-6, 11-1 to 11-15, 19-1 to 19-6), Clive Bennett (tracks: 1-1 to 2-15), Hanno Rinke (tracks: 12-1 to 12-18), Wolfgang Stengel (tracks: 13-1 to 13-9, 19-1 to 19-6)
- Executive-Producer [Associate] – Pål Christian Moe (tracks: 11-1 to 11-15)
- Executive-Producer [Associate], Coordinator [Project] – Matthias Spindler (tracks: 14-1 to 14-7)
- Executive-Producer, Producer [Recording] – Thomas Mowrey (tracks: 18-1 to 18-3)
- Flute – Shigenori Kudo (tracks: 1-1 to 2-15)
- Harmonica, Piano – Corky Siegel (tracks: 10-1 to 10-14)
- Horn – Nobuyuki Mizuno (tracks: 1-1 to 2-15)
- Liner Notes – Sandro Cappelletto
- Liner Notes [English Translation] – Karel Clapshaw
- Mezzo-soprano Vocals [Second Fairy] – Frederica von Stade (tracks: 11-1 to 11-15)
- Mezzo-soprano Vocals [Waldtaube (Wood-Dove)] – Tatiana Troyanos (tracks: 15-1 to 16-11)
- Narrator – Judi Dench (tracks: 11-1 to 11-15)
- Oboe – Fumiaki Miyamoto (tracks: 1-1 to 2-15), Reinhard Holch (tracks: 1-1 to 2-15)
- Orchestra – Berliner Philharmoniker (tracks: 13-1 to 13-9, 14-1 to 14-7), Boston Symphony Orchestra (tracks: 4-1 to 6-16, 9-4 to 9-6, 11-1 to 11-15, 12-1 to 12-18, 15-1 to 16-11, 19-1 to 19-6, 23-1 to 23-6), Saito Kinen Orchestra (tracks: 1-1 to 3-6, 7-1 to 7-6, 17-1 to 17-16, 20-1 to 20-4, 22-1 to 22-23), San Francisco Symphony Orchestra* (tracks: 10-1 to 10-14), Wiener Philharmoniker (tracks: 8-1 to 8-5, 21-1 to 21-24)
- Orchestrated By – Dmitri Shostakovich (tracks: 19-4 to 19-6)
- Organ – Rudolf Scholz (tracks: 21-2 to 21-23), Simon Preston (tracks: 9-4 to 9-6)
- Organ [Continuo] – Christine Schornsheim (tracks: 1-1 to 2-15)
- Photography By [Photo] – Gabriela Brandenstein
- Piano – Yundi Li (tracks: 14-1 to 14-7)
- Producer – Christopher Alder (tracks: 14-1 to 14-7), Franz Christian Wulff* (tracks: 5-1 to 6-16)
- Producer [Recording] – Christian Gansch (tracks: 9-1 to 9-6, 11-1 to 11-15), Cord Garben (tracks: 12-1 to 12-18), Wilhelm Hellweg (tracks: 1-1 to 3-6, 7-1 to 8-5, 17-1 to 17-16, 20-1 to 22-3), Wolfgang Stengel (tracks: 13-1 to 13-9, 19-1 to 19-6)
- Producer, Recording Supervisor – Rainer Brock (tracks: 4-1 to 4-6), Thomas W. Mowrey*, Thomas Mowrey (tracks: 5-1 to 6-16)
- Shakuhachi – Katsuya Yokoyama (tracks: 22-1 to 22-23)
- Soloist [Bass Vocals - "Epilogue Sur La Terre] – Thomas Paul (tracks: 6-15)
- Soloist [Vocals - "Dans Le Ciel"] – Judith Dickison (tracks: 6-16)
- Soprano Vocals – Kathleen Battle (tracks: 12-1 to 12-18)
- Soprano Vocals [First Fairy] – Kathleen Battle (tracks: 11-1 to 11-15)
- Soprano Vocals [I] – Barbara Bonney (tracks: 1-1 to 2-15)
- Soprano Vocals [II], Contralto Vocals – Angelika Kirchschlager (tracks: 1-1 to 2-15)
- Soprano Vocals [Marguerite] – Edith Mathis (tracks: 5-1 to 6-16)
- Soprano Vocals [Tove] – Jessye Norman (tracks: 15-1 to 16-11)
- Speech [Speaker] – Werner Klemperer (tracks: 15-1 to 16-11)
- Technician [Piano] – Serge Poulain (tracks: 14-1 to 14-7)
- Tenor Vocals – John Mark Ainsley (tracks: 1-1 to 2-15)
- Tenor Vocals [Faust] – Stuart Burrows (tracks: 5-1 to 6-16)
- Tenor Vocals [Klaus-Narr (Klaus The Jester)] – Kim Scown (tracks: 15-1 to 16-11)
- Tenor Vocals [Waldemar] – James McCracken (tracks: 15-1 to 16-11)
- Text By – Almire Gandonnière (tracks: 5-1 to 6-16), Hector Berlioz (tracks: 5-1 to 6-16), Jens Peter Jacobsen (tracks: 15-1 to 16-11)
- Text By [Edited By] – Evans Mirageas (tracks: 11-1 to 11-15), Seiji Ozawa (tracks: 11-1 to 11-15)
- Timpani – Everett Firth (tracks: 9-4 to 9-6), Sawako Yasue (tracks: 1-1 to 2-15)
- Translated By [German Translation] – Robert Franz Arnold (tracks: 15-1 to 16-11)
- Trumpet – Tim Morrison (tracks: 1-1 to 2-15)
- Viola – Mazumi Tanamura (tracks: 17-6), Nobuko Imai (tracks: 22-1 to 22-23), Nobuko Okada (tracks: 17-6)
- Violin – Gidon Kremer (tracks: 19-4 to 19-6), Itzhak Perlman (tracks: 4-1 to 4-6), Masuko Ushioda Lesser* (tracks: 1-1 to 2-15), Masuko Ushioda (tracks: 17-6), Shoko Oki Erle* (tracks: 17-6), Viktoria Mullova (tracks: 23-1 to 23-6)
Notes
In a thick, full colour card box. CDs individually housed in full colour card sleeves. With a 24 page booklet featuring performance and liner notes.Performance Notes -
CD 1 & CD 2 - Recording: Naganoken Matsumoto Buna Kaikan, Japan, 29 August - 4 September 2000. ℗ 2002 Universal International Music BV
CD 3 - Live recording: Matsumoto Bunka Kaikan, Matsumoto, Japan, 10/1993. ℗ 1994 Universal International Music BV
CD 4 - Publishers: Universal Edition, Wien (Berg); B. Schott's Söhne, Mainz (Stravinsky). ℗ 1980 Deutsche Grammophon International GmbH, Berlin
CD 5 & CD 6 - Recording: Boston, Massachussets USA, Symphony Hall, 10/1973. ℗ 1974 Deutsche Grammophon International GmbH, Berlin
CD 7 - Recording: Berlin, 9/1989. ℗ 1990 Universal International Music BV
CD 8 - Live recording: Musikverein, Vienna, 4/1992. ℗ 1993 Universal International Music BV
CD 9 - Recording: Boston, Symphony Hall, 11/1991 (Franck), 12/1991 (Poulenc). Publishers: Éditions Salbert (Poulenc). ℗ 1993 Deutsche Grammophon International GmbH, Berlin
CD 10 - Recordings: Cupertino, California, Flint Center, DeAnza College, 6/1972 (Bernstein), 5/1976 (Gershwin, Russo). Publishers: New World Music Corp., New York (Gershwin); Amberson Enterprises/G. Schirmer, New York (Bernstein). ℗ 1973 (Bernstein) / 1977 (Gershwin, Russo) Deutsche Grammophon International GmbH, Berlin
CD 11 - Recording: Boston, Symphony Hall, 10/1992. ℗ 1994 Deutsche Grammophon International GmbH, Berlin
CD 12 - Recordings: Boston, Symphony Hall, 11/1987. Publisher: Éditions Salabert, Paris. ℗ 1989 Deutsche Grammophon International GmbH, Berlin
CD 13 - Recordings: Berlin, Jesus-Christus-Kirche, 1 & 11/1990 (No. 5), 11/1990 (Kijé). Publishers: Boosey & Hawkes, London (Kijé); Musikverlag Hans Sikorski, Hamburg (No. 5). ℗ 1991 Deutsche Grammophon International GmbH, Berlin
CD 14 - Recordings: Berlin, Philharmonie (Großer Saal), 5/2007. Publishers: Boosey & Hawkes - Bote & Bock GmbH & Co. KG, Berlin (1-4); Editions Durand, Paris (5-7). ℗ 2007 Deutsche Grammophon International GmbH, Berlin
CD 15 & CD 16 - Liver recording: Boston Symphony Hall, 4/1979. ℗ 1979 Universal International Music BV
CD 17 - Recording: Matsumoto Bunka Kaikan, Matsumoto, Japan, 9/1993 (Schoenberg); 9/1994 (Stravinsky, Strauss). ℗ 1996 Universal International Music BV
CD 18 - Recording: Boston, Symphony Hall, 8/1975. Publisher: Belwin Hills. ℗ 1976 Deutsche Grammophon International GmbH, Berlin
CD 19 - Live recording: Boston Symphony Hall, 4/1992. Publishers: Musikverlag Hans Sikorski, Hamburg. ℗ 1994 Deutsche Grammophon International GmbH, Berlin
CD 20 - Recording: Nagano-Ken Bunka Kaikan, Matsumoto, Japan, 9/1996. ℗ 1997 Universal International Music BV
CD 21 - Recording: Großer Saal, Musikverein, Wien, 3/1996. ℗ 1997 Universal International Music BV
CD 22 - Recording: Jesus-Christus-Kirche, Berlin, 9/1989 , Schauspielhaus, Berlin, 8/1990 (2, 3). ℗ 1991 Universal International Music BV
CD 23 - Recording: Boston, October, 1985. Publisher: Robert Lienau (Sibelius). ℗ 1986 Universal International Music BV
Additional Performance Notes -
CD 5 & CD 6 - 'Légende dramatique en quatre parties'. Text by Hector Berlioz and Almire Gandonnière based on Gérard de Nerval's translation of Goethe's "Faust".
CD 7 - 'This recording, the last in which the late Sherman Walt performed, is respectfully dedicated to his memory by Seiji Ozawa. Mr. Walt was principal bassoonist of the Boston Symphony Orchestra from 1953-1989, and participated in the concerts of the Saito Kinen orhcestra from it's inception.'
CD 9 - Live recording
CD 11 - 'Incidental Music to Shakespeare's play'. Text edited for a single narrator by Evans Miragaes and Seiji Ozawa
CD 14 - Live recording
CD 15 & CD 16 - Publishers: Universal Edition A.G., Wien
CD 17 - Publishers (1-6): Universal Edition. Publishers (7-16): Boosey & Hawkes
CD 21 - Publishers : Boosey & Hawkes. Composed for the Vienna Philharmonic Ball, the Fanfare was premiered on 4 March 1924. It is scored for 6 trumpets, 8 horns, 6 trombones, 2 tubas and 2 timpani. Publishers (2-23): F.E.C. Leuckart. Publishers : R. Lienau Verlag, Frankfurt. Composed in Garmisch in July 1909 and performed on 9 December 1909, this work is dedicated to Prince Frederich of Prussia, master of the Knights of St John of Balley-Brandenburg. The fanfare is scored for 12 trumpets, 3 solo trumpets, 4 horns, 4 trombones, 2 bass tubas and timpani.
Photo: © Gabriela Brandenstein
Universal Classics & Jazz
A division of Universal Music Italia srl
This product ℗ and © 2014 Universal Music Italia srl
Made in the E.U.
Barcode and Other Identifiers
- Barcode: 0 28948 20410 6
- Mastering SID Code: IFPI LV26
- Mould SID Code (CD 1, CD 5, CD 6, CD 10, CD 19): IFPI 0131
- Mould SID Code (CD 3, CD 11, CD 14, CD 15, CD 17): IFPI 0159
- Mould SID Code (CD 4, CD 8, CD 16, CD 23): IFPI 0116
- Mould SID Code (CD 9, CD 12): IFPI 0125
- Mould SID Code (CD 13): IFPI 0119
- Mould SID Code (CD 18): IFPI 0157
- Mould SID Code (CD 20): IFPI 0115
- Mould SID Code (CD 21): IFPI 0114
- Mould SID Code (CD 22): IFPI 0120
- Matrix / Runout (CD 1): 00289 482 04-1 01 53522466
- Matrix / Runout (CD 2): 00289 482 041-2 01 53522468
- Matrix / Runout (CD 3): 00289 482 041-3 01 53523406
- Matrix / Runout (CD 4): 00289 482 041-4 01 53522470
- Matrix / Runout (CD 5): 00289 482 041-5 01 53522502
- Matrix / Runout (CD 6): 00289 482 041-6 01 53522504
- Matrix / Runout (CD 7): 00289 482 041-7 01 53522506
- Matrix / Runout (CD 8): 00289 482 041-8 01 53522508
- Matrix / Runout (CD 9): 00289 482 041-9 01 53522510
- Matrix / Runout (CD 10): 00289 482 042-0 01 53524237
- Matrix / Runout (CD 11): 00289 482 042-1 01 53522512
- Matrix / Runout (CD 12): 00289 482 042-2 01 53522514
- Matrix / Runout (CD 13): 00289 482 042-3 01 53524029
- Matrix / Runout (CD 14): 00289 482 042-4 01 53522516
- Matrix / Runout (CD 15): 00289 482 042-5 01 53522518
- Matrix / Runout (CD 16): 00289 482 042-6 01 53522520
- Matrix / Runout (CD 17): 00289 482 042-7 01 53522522
- Matrix / Runout (CD 18): 00289 482 042-8 01 53522409
- Matrix / Runout (CD 19): 00289 482 042-9 53522524
- Matrix / Runout (CD 20): 00289 482 043-0 01 53522526
- Matrix / Runout (CD 21): 00289 482 043-1 01 53522528
- Matrix / Runout (CD 22): 00289 482 043-2 01 53522708
- Matrix / Runout (CD 23): 00289 482 043-3 02 53522710
- SPARS Code (CD 4 to CD 6, CD 10, CD 15, CD 16, CD 18): ADD
- SPARS Code (CD 1 to CD 3, CD 7 to CD 9, CD 11 to CD 14, CD 17, CD 19 to CD 23): DDD








