Madonna - Confessions On A Dance Floor download free

Madonna House Synth-pop 2006 US

Genre:	Electronic
Performer:	Madonna
Title:	Confessions On A Dance Floor
Style:	House, Synth-pop
Date of release:	2006
Country:	US
MP3 album size:	1987 mb
FLAC APE album size:	1957 mb
WMA album size:	1449 mb
Digital formats:	AHX DXD DMF ADX XM AAC WMA

Tracklist Hide Credits

A1	Hung Up Written-By – B. Andersson, B. Ulvaeus, Madonna, Stuart Price
A2	Get Together Written-By – Anders Bagge, Madonna, Peer Astrom, Stuart Price
A3	Sorry Written-By – Madonna, Stuart Price
B1	Future Lovers Written-By – Madonna, Mirwais Ahmadzai*
B2	I Love New York Written-By – Madonna, Stuart Price
B3	Let It Will Be Written-By – Madonna, Mirwais Ahmadzai*, Stuart Price
C1	Forbidden Love Written-By – Madonna, Stuart Price
C2	Jump Written-By – Joe Henry, Madonna, Stuart Price
C3	How High Written-By – Christian Karlsson, Henrik Jonback, Madonna, Pontus Winnberg
D1	Isaac Vocals [Additional] – Yitzhak SinwaniWritten-By – Madonna, Stuart Price
D2	Push Written-By – Madonna, Stuart Price
D3	Like It Or Not Acoustic Guitar – Monte PittmanGuitar, Bass – Henrik JonbackProgrammed By [Additional] – Mango, Stuart PriceWritten-By – Christian Karlsson, Henrik Jonback, Madonna, Pontus Winnberg

Companies, etc.

Record Company – Warner Bros. Records Inc.
Record Company – Warner Music Group
Copyright (c) – Warner Bros. Records Inc.
Copyright (c) – WEA International Inc.
Phonographic Copyright (p) – Warner Bros. Records Inc.
Phonographic Copyright (p) – WEA International Inc.
Pressed By – Optimal Media Production – B645392

Credits

Art Direction, Design [Graphic Design] – Giovanni Bianco
Co-producer – Stuart Price (tracks: C3)
Management – Angela Becker, Guy Oseary
Photography By – Steven Klein
Producer – Bloodshy & Avant (tracks: C3, D3), Madonna, Mirwaïs Ahmadzaï* (tracks: B1), Stuart Price (tracks: A1 to A3, B2 to C2, D1, D2)
Producer [Original Production] – Anders Bagge (tracks: A2), Peer Astrom (tracks: A2)

Notes

Glossy stickered gatefold cover.
Generic die-cut inner sleeves with rounded corners.
All tracks in unmixed format.

Barcode and Other Identifiers

Barcode: 093624946014
Label Code: LC 00392
Matrix / Runout (Runout Side A): B 645392-01 A₁ 1-49460 A
Matrix / Runout (Runout Side B): B 645392-01 B₁ 1-49460 B
Matrix / Runout (Runout Side C): B 645392-02 C₁ 1-49460 C
Matrix / Runout (Runout Side D): B 645392-02 D₁ 1-49460 D

Other versions

Category	Artist	Title (Format)	Label	Category	Country	Year
49460-2	Madonna	Confessions On A Dance Floor ‎(CD, Album, Mixed)	Warner Bros. Records	49460-2	US	2005
9362-49460-2	Madonna	Confessions On A Dance Floor ‎(CD, Album, Mixed)	Warner Bros. Records	9362-49460-2	Argentina	2005
HDCD-F-1893	Madonna	Confessions On A Dancefloor ‎(2xHDCD, Album, Unofficial)	Not On Label (Madonna)	HDCD-F-1893	Taiwan	2005
49460-2	Madonna	Confessions On A Dance Floor ‎(CD, Album, Mixed, RP)	Warner Bros. Records, Warner Music Chile	49460-2	Chile	2013
494602 1	Madonna	Confessions On A Dance Floor ‎(CD, Album, Mixed)	Warner Bros. Records	494602 1	Mexico	2005

Black_Hawk_Down

Probably Madonna's most dancefloor friendly album (as if the title was a clue) and likewise, her most cohesive follwing the rather colourful 'Music' LP and the more sombre 'American Life' LP. Most of the album is, of course, co-produced by Stuart Price (better known as Thin White Duke/Jacques Lu Cont/Les Rythmes Digitales/Paper Faces) who brings his golden touch to proceedings. 'Hung Up' and 'Get Together' are highlights of the album, proving that Madonna's vocals sit perfectly on pulsing house grooves that are very obviously inspired by acts such as Daft Punk; Price proves his worth by minipulating THAT Abba sample into 'Hung Up' without it overpowering the rest of the track, or indeed the album, which in turn has given Madonna one of her most memorable and biggest hits of her career. Other tracks that Price has Co-Produced (and in the case of 'Get Together' reproduced from a much more frothy pop record) all carry his Thin White Duke Sound, without sounding repetitive or unoriginal. Through his input into the album there have been some very obvious nods to acts that have inspired him such as PetShop Boys (of whom he borrows the bassline from 'West End Girls' for 'Jump'), Daft Punk and Giorgio Moroder. One track that stands out is 'Isaac', a kaballah influenced track that echoes 'Knights Of The Jaguar' in both its pace and melody (and lyrically it also has a very strong spiritual sound). Other singles 'Jump' and 'Sorry' also prvide further insight into this new direction in sound. Madonna also collaborates with Mirwais (of 'Music' fame) on one track, as well as Bloodshy & Avant on a further two. The tracklisting, perhaps more upbeat than previous Madonna LP's, has been carefully thought out; it wouldn't be so obvious to anyone who owns the vinyl edition of this album (which is beatifully pressed on pink vinyl). The CD format works like a disco album of the 70's, it isn't mixed like a club compilation album, but is segued together (by Price funilly enough) into an hour long suite, meaning a continuous flow of music with tracks often linked together using layers of riffs from adjoining tracks or some clever use of synths and sweeping pads. The finished album is somewhere between pop and club, and is filled with dancefloor gems that work just as well on your home stereo as they do in a club. By far Madonna's most daring album in terms of production (even if she has had some help along the way) and definatly worth having.